Diego Maximiliano Giubergia born in the city of Buenos Aires on July 3, 1971.

He studied advertising at the Foundation for Advanced Studies in Business Sciences from the year 1990, specializing in Copywriting in Argentina Association of Advertising Agencies.

He worked for several years in the creative department in various advertising agencies.

His first approach to drawing was a teenager, where he spent whole nights copy the pictures of the famous magazine Fierro. Led by strong emotional and erotic drawings from the magazine dedicated to emulate self-taught.

In 2000, eager for new experiences, travels to Brazil, where he will live the next 5 years. From the first moment be deeply influenced by the treatment of color and spirit descontracturar of people to live in freedom by the sea.

Lives a year on the island of Tinharé in Bahia. He then travels to various places of the Brazilian bank, until finally settles in the city of Natal. There, captivated by the intense sun and fresh air, takes surfing, learn the secrets of the art of tattooing and begins to study drawing at the studio of Edilson dos Santos. The drawings of that time are marked by the deep color of black Africa, the definite influence of his hours as a tattoo artist and direct experience with life in the jungle. Preferred materials are in their majority, oil crayon, watercolor pencils and charcoal.

In 2005 he returned to Buenos Aires, determined to continue his training as a painter. He began studying painting with Gustavo Rubinstein in the Promotion of Fine Arts Association. 2 years draw live models and discover the oil painting that will fascinate you by its texture. Despite the rigorous anatomical drawing of human body, the workshop is free. When asked, Giubergia highlights this quality as essential in the development of his painting. Naturally, his expressionist mood set the tone of his paintings and drawings: lines well marked and intense colors loaded subject.

Make exhibits in Stimulus Association for Fine Arts and the YMCA.

In 2008, and continuing with his search, he started studying with the sculptor Claudio Barragán, son of the noted painter Julio Barragán. The workshop takes more freedom and more direct contact between teacher and student. Listen to tangos and, while a sculpted, the other paints. Claudio sees work their huge wooden masks and exchange experiences of life with him and other students. It is in this environment is ideal for art Giubergia's work takes on a different dimension.

Diego is currently in the permanent search for a style that is his trademark personal.